藏界新景观—家庭博物馆

• 作 者: 魏玉光
• 出 处: 常州工业技术学院学报
• 发表日期: 1997年01期
• 关键词: 家庭博物馆 国家博物馆 秘不示人 文化生活 流散文物 蓝翔 民间收藏 爱国主义教育 杨韶 文博

当代收藏已走出传统收藏那种“秘不示人”、“藏而不露”的狭隘天地,“独乐乐不如众乐乐”已成为当代收藏家的共识,于是借助新闻媒体,广泛报道藏家与藏品;收藏者举办各类展览,标志着收藏已走向社会,不再单纯属于个人的行为。展览已成为当今收藏活动的重要手段。近年来,一些具有卓识的收藏家,鉴于国家博物馆“门可罗雀”的窘境,勇敢地进行挑战,创办了一个个各具特色的家庭博物馆,将自己的收藏推向社会,成为社会文化的组成部分。

Contemporary collection has gone out of the traditional collection of the kind of “secret does not show people,” “hidden but not exposed” narrow world, “single pleasure” has become the consensus of contemporary collectors, so with the news media, extensive coverage of collectors And collections; collectors hold all kinds of exhibitions, marking the collection has come to society, no longer simply a personal act. Exhibitions have become an important means of collecting events today. In recent years, some distinguished collectors have bravely challenged the dilemma of the National Museum to create a unique family museum, bringing their collection to the society and becoming an integral part of the society and culture.