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1982年春夏,我因为画了一幅反映北方农村题材的作品《夏憩图》,被黄胄老师看中,参加了由他亲自主持的中国画研究院首届人物画研究班,我当时28岁。对于一个刚走出浙江美院不久的青年来说,是一次难得的学习机会,一个过去似乎很遥远虚幻的大师,如今走到了他的身边。中国画研究院建院之初的临时院址在颐和园藻鑑堂,在那段时间里,黄胄老师忙于院里的各项工作,但他几乎利用一切空闲的时间作画。他作画不用参考和依靠他自己的画稿,许多生动的形象在笔墨之间,呼之欲出,这是他几十年走进生活记录下的画稿,已深刻的储存在
In the spring of 1982, because I drew a piece of summer recreation illustration that reflects the theme of rural areas in the north, I was fanned by Mr. Huang and participated in the first portrait painting class of the Chinese Painting Academy presided over by myself. I was 28 . It is a rare opportunity for a young man who has just stepped out of the Zhejiang Academy of Fine Arts. A master who seems to be far away from reality in the past has now come to his side. At the beginning of the founding of the Chinese Academy of Painting, the temporary site of the museum was algae Kam in the Summer Palace. During that time, Mr. Huang was busy with various tasks in the hospital, but he made use of almost all of his free time to paint. He made no reference to painting and relied on his own drawing, many vivid images in the pen and ink, ready to come out, this is his decades into the life record, has been profoundly stored