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20世纪末叶的中国诗坛,在艾青去世以后,似乎是群星璀璨而不见斗柄横天,弦管齐鸣却听不到洪钟巨响。诗歌艺术的探索,虽也不乏新光异彩,但喧呼与沉寂的交替,徘徊踱步与调侃嬉闹的纷呈,总使人感到诗歌已面临着必须打破的困窘。出乎人的意料之外,竟然是“七月派”的老诗人彭燕郊,在他60年诗歌艺术实践历尽艰危心力交瘁的晚年,以驾盐车上陇坂的老骥雄心,独步登上险
After the death of Ai Qing, the Chinese poetic world at the end of the 20th century appeared to be bright and star-crossed, while the strings could not hear the bell ringing loudly. Though the exploration of the art of poetry, there is also no shortage of shine, but the alternation of hurricane and silence, the pace of pacing and ridicule, people always feel that poetry has to face the embarrassment that must be broken. Surprisingly, it turned out to be the old poet of the “July School” Peng Yanjiao. In his later years of artistic practice of 60 years of poetic art,