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胡应麟是明代后期一位重要的诗人,也是很有成就的诗论家。他的诗学理论主要体现在《诗薮》一书中,该书体系周密,内容广博,见解独特,是明代格调论诗学著作中很有代表性的一部,被认为是明代格调论的集大成之作。他所提倡的“化与化境”的诗歌创作理论,丰富了中国古代诗歌创作理论,本文就从“创作之化”和“审美之化”两方面探讨胡应麟的“化与化境”的诗歌创作理论。
Hu Yinglin was an important poet in the late Ming Dynasty and also a very accomplished poetist. His theory of poetics is mainly embodied in the book of poetic poetry. The book is systematic, extensive in content and unique in opinion. It is a very representative one in the style and style poetics works of the Ming Dynasty and is regarded as the style theory of the Ming Dynasty Set masterpiece. He advocated the theory of poetic creation of “Modernization and Modernization”, which enriched the theory of ancient Chinese poetry creation. This article explores the relationship between Hu Yinglin’s “” and “aestheticization” from the perspective of “creation” and “aestheticization” Transmigration "poetry creation theory.