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伟大领袖毛泽东曾在《延安文艺工作座谈会上的讲话》中讲到,“我们的文学艺术是人民群众的文学艺术,尤其是工农兵的文学艺术,它要为工农兵服务,让他们受益”1。这段话不仅指出了文艺工作者的总目标,而且还对作者和艺术家提出了选题价值的标准和感性倾向的要求。新中国成立后,随着文艺工作的大开展,作品“主题”的政治性也越来越突出,而且这种政治性渗透到了“主题”从提出到确定的整个过程。正是因为
Mao Zedong, the great leader, once said in his speech at the Symposium on Literary and Art Work in Yanan: “Our literary arts are literary arts of the masses of the people, especially those of the workers, peasants and soldiers. They serve the workers, peasants and soldiers and benefit them ”1. This passage points not only to the overall goal of literary and artisans, but also to the authors and artists the criteria for the value of the topic and the demands of sentimental tendencies. After the founding of New China, with the great progress of literary and art work, the political nature of the work “subject ” became more and more prominent, and this political infiltration reached the whole process from proposition to determination of “subject ”. just because