版画边缘化问题探析

• 作 者: 罗海英
• 机 构: 广州美术学院,
• 出 处: 艺术教育
• 发表日期: 2014年06期
• 关键词: 中国艺术市场 中国版画 艺术作品 社会形势 边缘化问题 艺术珍品 版画艺术 版画创作 艺术品投资 艺术商品

上世纪90年代以来,中国版画发展进入滞缓期,其主要原因在于:中国社会形势的变化导致版画的宣传功能不再像以前那样重要;部分版画家专注于技法研究,对现实生活缺乏深入思考和内在把握。文章分析了版画被排斥于中国艺术市场的主要原因:艺术作品不再单一地以展览出版作为进入社会的形式,更多以艺术商品进入市场,而版画的复数性影响其成为艺术珍品,影响了普通民众对版画艺术品的认知和收藏。

Since the 90s of the last century, the development of Chinese printmaking has come into a sluggish period. The main reasons are: the change of Chinese social situation led to the propaganda function of printmaking no longer as important as before; some printmakers focused on the study of techniques and lacked in-depth consideration of real life Internal control. The article analyzes the main reason why printmaking is excluded from the Chinese art market: the work of art is no longer solely published in exhibitions as a form of entry into the society, and more is brought into the market as art goods. The pluralism of prints affects it as an art treasury and affects Ordinary people on the print art awareness and collection.