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在属于当兵人的“拉歌时代”里, 每一个人都既是演员又是观众,既是主角又是配角,既是主唱又是鼓手。他们每一次张大的嘴、扬起的鼓槌、挥动的小旗都是那么有镜头感。在和平年代,当硝烟不再、战场不再,拉歌现场所酝酿的那种激烈的战斗氛围部分复原了纯粹的军人时空。也许,这也正是拉歌让那么多领导或首长着迷的地方。当我们试图并开始触摸拉歌这个连队细节的时候,穿过个体经验的叙述与记忆,以及处于正在进行时态的数不清的近乎雷同的现场,我们发现,我们触摸到了一个激越、恢弘的时代——我们的“拉歌时代”。无数当兵人或者曾经当兵
In the era of “pop songs” belonging to the soldier, everyone is both an actor and a spectator, both a protagonist and a supporting actor, both singer and drummer. Every time they open their mouths, raised drumsticks, flag waving is so a sense of the lens. In peacetime, when the smoke no longer, the battlefield no longer, pull the scene brewing the kind of fierce fighting atmosphere partially restored purely military space-time. Perhaps this is where Larser fascinated so many leaders or chief executives. As we tried and began to touch the details of the company, we went through a narrative and memory of individual experiences and countless and almost identical scenes of an ongoing tense, and we found that we touched an agile and magnificent Time - our “era of song and song.” Countless soldiers or have been soldiers