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东北农村题材影视剧的美学机制之一,即是其日益明显的地方性生产。“地方性”一语借自吉尔茨(Clifford Geertz)的“地方性知识”的概念。在吉尔茨那里,地方性知识是“文化持有者内部眼界”所构成的知识,认为人类学理解的本质恰在于“文化持有者的内部眼界”(1)。乡村生活现代性的生成既有外部世界的撞击影响,更有内部世界生活主体的自觉追求。“地方性”恰是乡村主体性的一种表现,具体而言主要是指某个乡村生活世界的具体性和主体
One of the aesthetical mechanisms of drama in the northeast rural areas is its increasingly obvious local production. The term “endemic” borrows from the notion of “local knowledge” by Clifford Geertz. In Jillz, local knowledge is the knowledge of the “inner horizons of cultural holders”, and the essence of anthropological understanding lies precisely in the “inner perspective of cultural holders” (1). The generation of rural life modernity not only has the impact of the external world, but also the conscious pursuit of the life main body in the internal world. “Local ” is just a manifestation of rural subjectivity, specifically, it refers mainly to the specific nature and subject of a country life