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谐音字画代表着我国从古至今通过字画来寓意的文化传统,是千百年来中华民族智慧的结晶。当前,谐音字画被应用于对外汉语领域的热潮方兴未艾,外国留学生也对谐音字画表现出很大的兴趣。不过经研究发现,谐音字画的理论领域建设仍有不足之处。本文将从谐音字画发展现状、谐音字画在对外汉语教学上的应用、谐音字画理论的不足之处等三大方面来浅谈谐音字画。一、谐音字画的发展现状谐音字画源于中国传统文化——吉祥文化。它喻示着中
Homophonic calligraphy and painting represent the cultural tradition of our country since ancient times through the use of calligraphy and painting is the crystallization of the wisdom of the Chinese nation for thousands of years. At present, the boom of homophonic calligraphy and painting applied to the field of Chinese for foreigners is in the ascendant. Foreign students also show great interest in homophonic calligraphy and painting. However, the research shows that there are still some shortcomings in the theoretical construction of homophonic calligraphy and painting. This article will discuss homophonic calligraphy and painting from three aspects: the development of homophonic calligraphy and painting, the application of homophonic calligraphy and painting in teaching Chinese as a foreign language, and the inadequacies of homophonic calligraphy and painting. First, the development of homophonic calligraphy Status of homophonic calligraphy and painting originated from Chinese traditional culture - auspicious culture. It is metaphorical