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童年的舒曼作为一个书商兼作家的儿子,几乎没有与音乐接触的机会,而把更多的时间用于阅读文学作品。像古希腊的悲剧,拜伦的诗,德国浪漫主义作家让·保尔等人的作品,都是他最倾心的经典。这些阅读,对舒曼美学观念的形成产生了极大的影响。到了中学时期,他已经是写作了许多抒情诗,三部戏剧和两部长篇小说的作家。而至大学时代,他徘徊在自己深爱的文学与音乐之间几乎无法做出抉择。舒曼后来从事音乐事业是明显违背他母亲的愿望的。他母亲惟一希望他学习的是法律,至于音乐,只是作为一种业余爱好而保留的。舒曼从小就跟音乐家维克学习钢琴,后因手指损伤从而失去了成为钢
Childhood Schumann, the son of a bookseller and writer, has almost no chance of getting in touch with music and devotes more time to reading literary works. Like the tragedy of ancient Greece, Byron’s poem, the works of German romantic writer Jean Paul and others, are his most enamored classics. These readings have a tremendous impact on the formation of Schumann’s aesthetic ideas. By middle school he was already a writer who wrote many lyric poems, three plays and two novels. And to college, he was hovering between his beloved literary and musical almost impossible to make a choice. Schumann’s subsequent career in music was clearly against his mother’s wishes. His mother only wanted him to learn law, and music was only reserved as a hobby. Schumann studied piano with her musician Vik from an early age and later lost her steel due to her finger injury