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数盘子的亡灵——阿菊右边这幅《皿屋敷》,出自浮世绘大师葛饰北斋之手,归属其《百物语》妖怪画系列,是日本江户时期浮世绘艺术最有代表性的作品之一。画面里是幽沉的夜晚,栖息于古井的亡灵倚着井沿,颜面青白,口吐游丝。井沿颓残,荒草萋萋。亡灵长颈前探,眉骨高举,眉梢下行,眼角挂血,眼球静止而执著,是一念找寻、心有不甘的凄楚神情。物反常者为妖。这幅画里最为妖气、最为
The number of plates of souls - A da on the right this “house house deposited”, from Ukiyo-e masters Katsushika Hokusai hand, vested in its “Hundred Story” monster painting series, Japan’s Edo period ukiyo-e art is the most representative One of the works. The picture is a dull night, living in the ancient well of the souls leaning well along the face pale, vomit gossamer. Well along the decadent, weeds frowsty. Undead long-necked exploration, brow brows aloft, brow down, eyes hanging blood, eyes static and persistent, is a read looking, heart unwilling sad look. Unusual things for the demon. This picture is the most demon, the most