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本文主要由绘画中造型方式的研究着手展开,首先对异化、简化与抽象化的理论意义和这些造型手法在近代雕塑和油画中的发展作了陈述。自雕塑大师罗丹在十九世纪末开启了现代雕塑的大门,紧接而来的布德尔、马约尔、马蒂斯这三座宏伟的桥梁之后,现代雕塑迎来了第一个里程碑布朗库西。对造型的异化简化与抽象的研究达到了新的高度。其中还探讨了莫迪里阿尼在油画中造型的简化研究。文章主要就是从这些大师的作品中来研究感受简化、异化与抽象化的形变所呈现的独特面貌。从中体会这些造型方式对当代绘画的影响以期领略造型艺术的本质。
This paper starts with the study of modeling methods in painting. Firstly, it expounds the theoretical significance of alienation, simplification and abstraction and the development of these modeling techniques in modern sculpture and oil painting. Since the sculpture master Rodin opens the door to modern sculpture in the late 19th century, the three grand bridges of the cities of Boudel, Mayor and Matisse are coming. The first modern sculpture has ushered in the first milestone of Brancusi . Alienation simplification and abstract modeling research reached a new height. It also discusses Modigliani’s simplified study of modeling in oil paintings. The main content of the article is to study the unique appearances of the deformations that feel simplification, alienation and abstraction from the works of these masters. From the experience of these modeling methods on contemporary painting in order to taste the essence of plastic arts.