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中国画具有悠久历史和优良传统,在世界美术之林自成独特体系。中国画的精神性,是中国画不同于西洋画的重要特点之一。洪惠镇先生认为,中国画在整体效果上具有浓厚的精神性,在局部性的语言笔墨中也有明显的精神性,并对其产生的原因进行了分析探讨。他认为,中国画的精神性与古代画家的修养是统一的。但是现代中国画家中由于文化与人格修养的欠缺和变异,绘画修养的不纯,其精神性逐渐丧失。特点是画种成立的基因,变革应在保持其基本特点的前提下进行,精神性的内含可随时代发展增添新内容,使这种特点现代化。线条是中国画造型的基本手段,刘万鸣先生从中国哲学思想来进行考察,可以进一步认识线条的美学意义。 花鸟画是以动植物为描绘主体的中国画传统画科。李福顺先生关于花鸟画的寓意与梅兰竹菊品格的论述,有助于我们了解中国花鸟画的寓意抒情的鲜明民族特色。
Chinese painting has a long history and fine traditions and is a unique system in the world of art. The spirituality of Chinese painting is one of the important features of Chinese painting that is different from Western painting. Hong Huizhen believes that Chinese painting has a strong spirituality in its overall effect, a clear spirituality in localized language and ink, and analyzes the causes of the resulting painting. In his opinion, the spirituality of Chinese painting is consistent with that of ancient painters. However, due to the lack of cultural and personality cultivation and the impureness of painting in modern Chinese painters, their spirituality is gradually lost. The characteristic is that the genesis of the painting is established. The transformation should be carried out under the premise of maintaining its basic characteristics. The spiritual inclusion can be used to develop new features with the development of the times so as to modernize this feature. Lines are the basic means of Chinese style, Mr. Liu Wanming from Chinese philosophy to conduct an investigation, you can further understand the aesthetic significance of lines. Flower and bird painting is a traditional painting of traditional Chinese painting based on animals and plants. Mr. Li Fushun’s moral connotation of flowers and birds painting and the discussion of the character of Merlin-Chrysanthemum contribute to our understanding of the distinct national characteristics of the symbolic lyricism of Chinese flowers and birds paintings.