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就像“新德国电影”运动一样,201 0年末2011年初“新德国网球”运动正在“强盛的、没落的、骄傲的、卑谦的”基础上发生。维姆·文德斯是“新德国电影”运动四杰中年纪最小的一位,他既不像赫尔佐格那么神秘,也不像法斯宾德、施隆多夫那么看重政治.在他的电影中夹杂着“新感性主义”精神,混杂着德国古典文化和对美国公路电影的理解。1 986年,文德斯拍摄了惊世之作《柏林苍穹下》,德意志曾经强盛的、没落的、骄傲的、卑谦的过往,都刻在守护柏林的两位天使的翅膀上。他们在城市中游荡,观察人们的内心,甚至动了化身凡人鼓励他们勇敢追求自我的念头。不惧成为最好的,也不怕成为最差的,无论怎样都能够怀着一颗冷静
Just like the New German Film movement, the “New German Tennis” movement is taking place on the basis of “strong, declining, pride, humility” at the end of 2011. Wim Wenders is the youngest of the “New German Cinema” movement’s fourth eldest, who is neither as mysterious as Herzog nor as Fassbinder, Schlöndorf valued politics In his films is a mixture of “neo-sensualism,” a mixture of German classical culture and an understanding of American road films. In 1986, Wenders shot the stunning “Under the Berlin sky,” and Germany’s once powerful, declining, proud, humiliating past was carved on the wings of two angels guarding Berlin. They are wandering in the city, observing people’s hearts, and even moving avatars to encourage them to bravely pursue their own ideas. Do not fear to be the best, not afraid to be the worst, no matter what can be with a calm