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六百万言十大卷的《柯岩文集》在我面前耸立起的是一座文学的丰碑。面对这座丰碑,我没有能力全面评价柯岩和她的创作成就,仅想从她坚持的现实主义创作道路方面谈点心得。我的心得可用三句话来表述:生命写作、阳性元素、最后凯歌。一、生命写作现实主义创作对创作主体性的诉求,表现在强调作家的写作姿态、社会责任、伟大人格。俄国批评家皮萨科夫在其著名的《现实主义者》一文中说:“为了取得他人的爱护和尊敬,诗人必须具有能使每一个普通人或者周围人爱戴的品质。”
Six million words and ten volumes of “Ke Yan Wen Ji” stand in front of me is a literary monument. In the face of this monument, I am not capable of a comprehensive evaluation of Ke Yan and her creative achievements, just want to talk about her insistence on the road to realism. My experience can be expressed in three sentences: life writing, positive elements, the last triumph. First, the life writing Realistic creation of the subjective demands of creation, manifested in emphasizing the writer’s writing attitude, social responsibility, great personality. In his famous article “Realists,” a Russian critic, Pizacof said: “In order to gain the love and respect of others, the poet must have the qualities that make every ordinary person or people around him”