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在今天的新技术时代,电脑技术在很大程度上将设计者从“复印机”的角色中解脱出来。同时,电脑技术也给字体视觉符号设计带来变幻莫测、淋漓尽致的表现手法。但这些都需要一个前题,那就是人对设计思维的取向。也就是说人的思维仍是现代设计表现的支点。而创意思维的引导与开发应是字体视觉设计的重点。这就需要我们在了解字体整体结构的基础上利用美学及一些设计原理进行一些笔画、字体的变形,使设计的创意思维得到更好的表现。
In today’s new technology era, computer technology largely frees designers from the role of copier. At the same time, computer technology also brings unpredictable and incisive performance to typographic symbolic design. However, these require a prior topic, that is, people’s orientation to the design thinking. In other words, people’s thinking is still the fulcrum of modern design. The guidance and development of creative thinking should be the focus of font visual design. This requires us to understand the overall structure of the font based on the use of aesthetics and some design principles for a number of strokes, fonts, deformation, the design of creative thinking to get better performance.