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自2004年以来,电视选秀节目逐渐风靡全国,对其评价也褒贬不一。本文从斯图亚特.霍尔的编码/解码理论与米歇尔.福柯的话语观角度切入,对这类型节目进行文化解释。该类节目在满足主办方、投资商对经济利益追逐的同时,成为广大受众满足自我需求,行使自己权力的一条通道。对这一文化现象进行解析和思考,对于电视选秀节目的健康发展以至社会文化的健康发展有重要价值。
Since 2004, television dramas have become increasingly popular all over the country, and their reviews have been mixed. This article from Stuart Hall encoding / decoding theory and Michel Foucault discourse point of view, cultural interpretation of this type of program. Such programs to meet the organizers, investors chase economic interests at the same time, as the vast number of audiences to meet their own needs, exercise their power of a channel. Analyzing and thinking about this cultural phenomenon is of great value to the healthy development of TV talent shows and the healthy development of social culture.