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继《校园民谣》给中国流行音乐注入一股清新纯朴之风后,由魔岩文化的中国火制作公司在今年6月5日推出的“新音乐”系列再一次将中国的流行音乐向前推进了一步。 “新音乐”是一种极富个性的音乐,它的最重要的特点就是“创新”,不仅是形式也是音乐内涵的创新,新音乐首先让人感到陌生和怪异:这是一种新的声音,以前没有的。当然,这种新感觉歌迷可能接受,也可能抵制。但新音乐是不迁就歌迷的,而是为表达自身的感受和新奇体验而创作出来的。好的新音乐作品还有很深的文化底蕴。如张楚的《厕所和床》让人联想到现代派文学,想到卡夫卡的《变形记》、波德莱尔的《恶之花》。在1993年《摇滚北京》中具有新音乐性质的王勇《安魂进行曲》带给人生死的思索和超脱的佛教空灵的感觉。而同样属于“新音乐”的郑钧
Following the “campus ballads” to inject a fresh and simple style into the pop music in China, the “New Music” series launched by the Chinese fireworks company of magic rock culture on June 5 this year once again pushed the pop music in China One step. “New Music” is a highly individualized music. Its most important feature is “innovation”, which is not only an innovation of form and musical connotation, but new music is first of all strange and weird: it is a new voice Never before. Of course, this new feeling fans may accept, may also resist. But new music is not moved to fans, but to express their own feelings and novel experiences and creative. Good new music and deep cultural heritage. Such as Zhang Chu’s “toilet and bed” reminiscent of modern literature, think of Kafka’s “Metamorphosis”, Baudelaire’s “evil flower.” In 1993 “Rock Beijing” with a new musical nature of Wang Yong “Requiem march” to bring life and death thinking and detached Buddhist ethereal feeling. The same belongs to the “new music” Zheng Jun