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汤显祖是明代著名的戏曲作家,同时,他也深谙八股文创作,是“举业八大家”之一。由于八股文是对文人思维方式的一种全方位训练,汤显祖在戏曲作品的创作过程中也不可避免地受到了一些八股文的影响。以汤显祖最为著名的戏曲作品——《牡丹亭》为例,试图剖析八股文“结构”技法中的“破题、承题”及“代圣立言”对汤显祖戏曲创作中行文方式和人物塑造两个方面的影响。
Tang Xianzu is a famous opera writer in the Ming Dynasty. At the same time, he is also well versed in the writing of the Eight-Part Essay and is one of the “Eight Masters of the Industry”. As the eight-part essay is a kind of all-round training of the literati's way of thinking, Tang Xianzu is also inevitably influenced by some eight-part essay in the process of creation of opera works. Taking Tang Xianzu's most famous opera work “Peony Pavilion” as an example, this paper attempts to analyze the “SanDianLan” in the eight characters “structure ” technique, Mode and character shaping two aspects of the impact.