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脱胎于漆艺中国漆画脱胎于中国漆器工艺,可以说是一脉相承。从漆工艺转化到漆画,最重要的不同就是漆画具备了绘画性,从而与漆工艺分开,前者属于纯艺术的范畴,后者则属于工艺范畴。漆画的界定有广义与狭义之分:广义地说,用漆作的画就是漆画,中国古代及现代漆器上的装饰纹样,都是用漆绘成的,称其为漆画顺利成章。因此,说到中国漆画的历史大多推断到几千年前,把中国漆画称为古老的画种,天经地义。狭义地说,中国漆画是到20世纪才逐渐形成的一个现代画种,与漆器上
Born in lacquer Chinese lacquer born in China lacquer craft, can be said that the same strain. The most important difference from the lacquer process to lacquer painting is that the lacquer is paintable and thus separates from the lacquer process. The former belongs to the pure art category and the latter belongs to the craft category. The definition of lacquer has a broad and narrow sense: broadly speaking, the lacquer is the lacquer painting. The decorative patterns on the ancient and modern lacquerware in China are all painted with lacquer and call it a successful lacquer painting. Therefore, when it comes to the history of Chinese lacquers, most of them have concluded that thousands of years ago, it was perfectly justifiable to refer to Chinese lacquer paintings as ancient paintings. Narrowly speaking, Chinese lacquer painting was a modern painting that was gradually formed in the 20th century,