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“力动”最早为一种物理科学术语,后来逐步被运用于人文科学领域。柏格森将其引入宗教领域,鲜明指出这种“力动宗教”的特色,卡西尔明确用其论述艺术,尼采则进一步阐述它在悲剧中的功能,概括为生命原初的酒神冲动。由此,作为一种支配内在生命冲动并赋予它们以形式的力量,“力动”使文学艺术涌现出一种生命的活力与冲力,体现出生命本真的创造与建构,从而促使人类以一种更深邃的目光认知事物,回归自然,走向心灵的自由。
“Force ” was first as a physical science term, and later gradually applied to the field of humanities. Bergson introduced it into the religious field and clearly pointed out the special features of this “dynamic religion”. Cassire explicitly used it to discuss art. Nietzsche further elaborates on its function in the tragedy, which is summarized as the original Bacchus of life impulse. As a result, as a kind of power that dominates inner impulses of life and gives them form, “power” makes literature and art emerge a life vigor and impulse, which reflects the creation and construction of life essence, With a deeper vision of cognitive things, return to nature, to spiritual freedom.