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英国浪漫派的兴起,使得古典主义中的自然观由自然转化到了自我,进而生成了新的自然观,对于新自然观的出现,不同的人持着不同的看法,而从自我与自然的关系来看,我们可以将新生成的自然观分为三种表现形式:自我吸附于自然、自然被自我所吞噬、自我与自然的表象分离。英国浪漫派作家将自然观的这三种表现形式淋漓尽致地运用在他们的作品当中,表现的内容更是大不相同、因人而异。本文主要论述了从“自然”到“自我”的关系中看英国浪漫派的自然观。
The rise of the British romanticism makes the view of nature in the classicism naturally transformed into the ego, which leads to the emergence of a new concept of nature. Different people hold different views on the appearance of the new concept of nature, but from the relationship between self and nature From the point of view, we can classify the newly formed view of nature into three manifestations: self-absorption in nature, self-devouring of nature, separation of self and nature. British romantic writers will be most vividly used in their works of these three manifestations of the concept of nature, the performance of the content is even more different, varies from person to person. This article mainly discusses the view of nature of British Romanticism from the relationship of “Nature” to “Self”.