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约在上世纪八十年代,随着中国的改革开放,以民族音乐素材或旋律配以欧洲古典作曲技法的创作模式,与异常活跃的交响乐相比下就显得缺乏活力。于是一些作曲家便另辟溪径,以现代音乐的思维注入了民族管弦乐的天地,让人意识到民族管弦乐还有很多尚未开拓的空间。九十年代以来,不少作曲家在吸收了大量现代音乐的创作经验后,再一次把注意力放在民族管弦乐的领域上,他们富有特色的作品为我们展现了一种前所未有的乐队音响结构和崭新的艺术表现空间。
About the eighties of last century, with China’s reform and opening up, with the creation of national music material or melody with the European classical composition techniques, compared with the unusually active symphony appears to be lack of vitality. As a result, some composers opened up new trails and infused modernity into the world of national orchestral music, making people aware that there are still many open spaces for national orchestral music. Since the nineties, many composers have absorbed a great deal of creative experience in modern music and once again focused their attention on the field of national orchestral music. Their unique works show us an unprecedented band sound structure and New artistic expression space.