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西方文学自《荷马史诗》“夺回”海伦始,至《亚瑟王传奇》中“寻找”圣杯的情节。再到《巨人传》“寻求”神瓶的启示。昭示出西方人的不安于自然状态。总被追寻某种最好东西的企望所驱动的不安心态:自莎士比亚以后,“追寻”主题内化为对某种生命本质、人生理想的追思渴望(不必再踏遍外部世界上寻宝),以及这种渴求在种种限制、障碍中遭扼止被毁灭的悲剧过程。《少年维特之烦恼》为什么会成为德国第一本有世界影响的小说?它描写维特到生机盎然的自然界、淳朴的农民、童稚的心灵和真纯的爱情中才得舒展身心,在这些都丧失后,他的生命也结束了。
Western literature has since “recaptured” Helen’s history in Homer’s epic to “finding the Holy Grail” in King Arthur’s legend. Then to “Giant Biography” “seek” the inspiration of the bottle. Show the restless Westerners in the natural state. The uneasy state of mind, driven by hopes of pursuing some of the best things: Since Shakespeare, the subject of “chasing” has become internalized as the desire to memorize the nature of life and the ideal of life (without going through the treasure hunt in the outer world), and This thirst for wantonness has been hampered by the tragedy that has been destroyed in various restrictions and obstacles. Why did the Worry of Young Witches be Germany’s first world-influenced novel? It portrays Wittur to the vibrant nature, the honest peasant, the innocent, the innocent love, After his loss, his life is over.