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陶艺,是中华文化的代名词之一。中国陶艺在人类文明的进程中,集中反映了中国历朝历代经济发展和技术进步以及审美观念的变化。陶艺融学科技术和文化艺术于一体,仅凭借陶瓷这一单一媒材,前后贯穿了中华文化各个历史阶段丰富多彩的审美形态,这在其他艺术媒介表达上可谓从没出现过,在中外文化史上也是独一无二的。然而,中国当代陶艺的研究与交流在一段时间内,却停留在对美术造型及装饰技法的关注上。创作观念在“传统”与“现代”之间纠结。“传统”与“现代”的探求在中国当代陶艺中,走向了截然不同的发展轨迹。在这两条不同的轨迹中,一条是以高校
Pottery, is synonymous with Chinese culture. In the course of human civilization, Chinese pottery has focused on the changes of the economic development, technological progress and aesthetic concepts of the past dynasties in China. Ceramic art and culture into art, in just one ceramic with only a single media, before and after the colorful history of Chinese culture throughout the various stages of the aesthetic form, which can be described in other art media has never been said before, in the history of Chinese and foreign cultures Is also unique. However, the research and exchange of contemporary Chinese pottery art has for some time remained focused on the concern of art style and decoration techniques. Creative concept tangled between “tradition ” and “modern ”. The search of “tradition” and “modern” has taken a very different development path in contemporary Chinese pottery. Of these two different tracks, one is college