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二十年前的中国,不大可能有“怀疑美术馆”这个话题,这倒不是因为它的强,而是因为它的弱。那时候美术馆极少,少量的美术馆把大量的时间花在了应景上,它给人的印象是,总是在庆祝什么,纪念什么。那时候,作为艺术的中心媒体,它们是当代艺术的重要推手,谁更早一天看到新的报刊或新引进的书籍,谁就更有发言权,谁就能迅速占据思想的制
Twenty years ago, China was unlikely to have the topic of “doubting the art gallery.” This was not because of its strength, but because of its weakness. At that time very few galleries, a small amount of art museum spent a lot of time on the scene, it gives the impression that what is always celebrated, to commemorate anything. At that time, as the central media of art, they were important promoters of contemporary art. Whoever could see the new press or the newly introduced book one day earlier would have a better voice and who could quickly occupy the ideological system