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最初读王安同志的《寃家》(載《山花》1962年12月号),觉得这篇小說很好;它的主題有重大現实意义,写得生动、紧凑,情节有起伏,很能引入入胜。看得出来,作者对整个作品的結构、布局和穿插都用过一番心机,从头到尾沒有什么多余的笔墨;而且各个場景也写得很真切,一些描写通过叙述人的感受,烘托得很出色,給人印象很深。但仔細的把这篇小說拿来推敲一下,就会发現它在处理关鍵性情节的地方显得較为牵强,給它的主人公增添了一些不合乎他性格的行为。这就失去了它的說服力,使它歌頌的一些工人阶級的优秀品质失去了依据。
After reading Comrade Wang An’s “The Family” (“Mountain Flower” December, 1962), I feel this novel is very good; its theme is of great practical significance, written vividly and compactly, and the plots are ups and downs. Into the victory. It can be seen that the author has spent a lot of effort on the structure, layout, and interspersing of the entire work. There is no superfluous brushstrokes from beginning to end; and the scenes are also very clear, and some of the descriptions pass through the narrator’s feelings. Excellent and impressive. However, if you carefully review this novel, you will find it far-fetched in dealing with key plots, adding to its protagonist some behavior that does not conform to his character. This loses its persuasive power and makes the excellent qualities of some of the working class it eulogize.