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最近看到一些电视新作,有这样一个突出的感觉:随着我国社会主义改革的深化,以改革为题材的电视剧艺术本身也在日益深化。改革题材的电视剧,以《乔厂长上任》为滥觞,后来又有《女记者的画外音》、《走向远方》、《新闻启示录》、《新星》、《雪野》、《太阳从这里升起》、《葛掌柜》、《大角逐序曲》、《绿荫》、《篱笆·女人和狗》、《辘轳·女人和井》等。这些电视剧各有千秋,它们作为我国改革事业前进步伐的鲜明足迹,将永远留在电视艺术的史册上。最初的一些以改革为题材的电视剧,往往着眼于改革者与保守者的对峙,对峙的根源又往往是不同的方法、方案的争执,而且形成了一种习用的结构模式——丈夫忘我工作,妻子很不理解,另外一位女性则表示同
Recently saw some new TV programs, with such a prominent feeling: With the deepening of China’s socialist reforms, the reform of television drama itself is also subject matter art. The TV drama of the reform theme is based on the assumption that “director Jo is responsible.” Then there are “Voice of the Female Journalists”, “Towards the Distance,” “Press Revelations,” “Nova,” “Snowy Fields,” and “the sun rises from here ”“ Treasurer ”,“ big song ”,“ shade ”,“ fence woman and dog ”,“ potter and woman ”and so on. Each of these TV series has its advantages and disadvantages. As the distinctive footprints of the progress of our country’s reform undertaking, they will always remain in the annals of television art. Some of the first television dramas that were subject to reform tended to focus on the confrontation between reformers and conservatives. The root causes of the confrontations were often disputes of different methods and programs, and they formed a common structural model - husbands selflessly work, Wife did not understand, another woman said the same