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这是伊斯哈尔·十四儿最具代表性的东干语文学批评论文之一。文章以全球化视野,用生态批评的理论和方法研究东干文学,表达了一种人与自然和谐共生的文学理念和文化开放意识。分析了自然与文学的关系,生态学中的“畜牲、飞禽、虫虫-拉拉”、“草苗”在文学中的地位,以及“人带造化里边”的“作品”对于提高人的觉悟和“调养心口中间呢的俊美”所发挥的作用等问题。尤其从东干文学生态创作中的作家与作品内容、风格进行把握和探析,勾勒出一幅现代生活语境下生态文明思想之旅的前景,具有重要的方法论意义。当然,由于东干语缺乏文学批评的丰厚传统,缺乏专门的文学批评语汇,只用晚清末年的西北方言写作文学评论论文,“其局限性是显而易见的,却开创了世界华语文学批评的独特景观。”
This is one of the most representative East-East Chinese literary criticisms of Ishar XIV. The article uses the theory and method of ecocriticism to study Donggan literature from a global perspective and expresses a literary concept and cultural open consciousness that harmoniously coexist with nature. The relationship between nature and literature is analyzed. The status of literature such as “beasts, birds, bugs - Lala ”, “grass seedlings ” in ecology and “Works ” for improving people’s awareness and “the heart of the heart to maintain it,” the role played by such issues. In particular, it is of great methodological significance to grasp and analyze the content and style of writers and works in the creative writing of the Donggan literature and outline the prospect of a journey of ecological civilization under the context of modern life. Of course, due to the lack of a rich tradition of literary criticism in the Donggan language and its lack of specialized vocabulary for literary criticism, only the literary critic of the northwestern dialect in late late Qing dynasties wrote its literary criticism, “but its limitations are obvious, but they have created the world Chinese literary criticism Unique landscape. ”