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工笔花鸟画是我国传统绘画的重要流派,主要以花草、虫鱼、飞禽以及树木等为表现对象,有着源远流长的历史。唐代工笔花鸟画在色彩的运用上较为绚烂且富丽堂皇,而宋代的色彩则较为宁静致远,随着人文水墨画的兴起,绘画中对色彩的运用逐渐被水墨所代替,但这并不影响色彩本身对工笔花鸟画的意境表达和风格特征。到了现代,工笔花鸟画画家对色彩的应用又做出了进一步的诠释,本文就将以色彩为切入点,试分析工笔花鸟画的色彩表现艺术。
Meticulous birds and flowers are an important genre of traditional Chinese painting. They are mainly objects of flowers, insects, birds and trees, and have a long history. The use of color in the Tang Dynasty is more gorgeous and palatial, while the color of Song Dynasty is relatively quiet. With the rise of humanistic ink painting, the use of color in painting has gradually been replaced by ink, but this does not affect the color The artistic expression and style of the flower-and-bird painting itself. In the modern era, the finest bird-and-bird painting painters have made further interpretations on the application of color. This article will take color as the starting point, and try to analyze the art of color performance of the flower-and-bird painting.