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大家都知道:外国片比国产片叫座,而外片中最叫座的是娱乐片。那么,它为什么叫座? 美国娱乐片《灵与肉》,且不看其外在的节奏如何跌宕、强烈,色彩怎样鲜明、“刺激”。只从观众的“够劲,够味!”声中,我们可以看出国产娱乐片内在的一大缺憾——灵与肉交流的渴求! 国人好联想:“肉”不就是“欲”么?且慢紧张,这里的“欲”绝非肉欲所能包容。请听莎学名家席勒格的名言:“如果说莎士比亚由于他所创造的人物博得了我们的敬爱。那么他也同样由于他所表现的情欲而博得了我们的敬爱。这是就情欲的广义来说的,它包括了各种内心活动,从冷淡或者一般的喜悦直到强烈的愤怒与绝望。他为我们创造了一部精神史。一句话,他向我们揭示了上述各种情欲的全部系统。”而在我们的影片和影评中经常强调的“情节是人物性格的发展史”,实际上是就其主导性即“灵”的一面来说的。认识的片面势必造成创作的偏差。这样,怎能触及人
We all know: foreign films than domestic films, and the most popular film is entertainment. So, why does it call the American entertainment film Spirit and Meat without regard to how its external rhythms are upturned, intense, vivid and “stimulating.” Only from the audience’s “enough strength, enough taste!” Sound, we can see a major domestic shortcomings of entertainment - the craving for spiritual and flesh exchange! Good people think: “meat” is not “desire” it? , Where “desire” is by no means inclusive of sensuality. Listen to the famous scholar Schiller famous words: “If Shakespeare because of the characters he created won our love, then he also because of his desire to win our affections, which is in the general terms of passion It encompasses all kinds of inner activities, from coldness or general joy until intense anger and despair, and he has created a spiritual history for us, in a word, he reveals to us all the systems of the various sexual desires described above. And ”plot is the history of character development“, often emphasized in our videos and film criticism, is in fact its dominant, ”spiritual" side. One-sided understanding is bound to result in creative bias. In this way, how can we reach people?