也谈“酱缸”

• 作 者: 彭立立
• 出 处: 中国外资
• 发表日期: 2003年07期
• 关键词: 小泽征尔 二胡演奏家 闵惠芬 长跪 《二泉映月》 指挥大师 柏杨 不锈钢灶台 罗卜 汤因比

改革开放后不久,著名二胡演奏家闵惠芬赴日演出,世界级指挥大师小泽征尔担任指挥。当大型二胡协奏曲《二泉映月》的最后一个音符缭绕于音乐大厅时,听众席上爆发出长时间热烈的掌声。而“历经沧海难为水”的小泽征尔则被感动得在舞台上泪流满面、长跪不起。 可以这么认为,小泽先生泪流满面,是为乐曲表达的苍凉所感动;而长跪不起,则是为乐曲蕴涵的文化所折服。在一种伟大的文化面前下跪,就是自尊心很强的日本人也不会

Not long after the reform and opening up, the famous erhu musician Min Huifen performed in Japan and world-class master of commander Seiji Ozawa acted as conductor. When the last note of the large Erhu Concerto “Er Quan Ying Yue” was filled in the music hall, a long round of applause broke out on the auditorium. And “after the sea is hard for water,” Seiji Ozawa was moved to burst into tears on stage, long kneeling. Can think so, Mr. Ozawa burst into tears, is expressed for the desolation of the music moved; and long kneeling, it is impressed by the culture of the music impressed. Kneeling in front of a great culture, Japanese are not self-esteem