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关于安娜·阿赫玛托娃的成就和地位,在弗·阿格诺索夫主编的《二十世纪俄罗斯文学》中,编写者有过一个比较中肯的评价:她“不仅在诗歌方面,而且在伦理方面成了自己时代的一面旗帜。她接受并分担了俄罗斯悲剧的命运,没有向‘黑铁的时代’妥协,没有向道义上的压迫低头。”而被她本人誉为阿克梅主义“第一小提琴手”的大诗人曼杰什塔姆,则将诗人的创作与俄罗斯十九世纪的心理小说联系到了一起:“阿赫玛托娃为俄罗斯的抒情诗带来俄
On the achievements and status of Anna Akhmatova, the writer has a more pertinent evaluation of ”Russian Literature in the Twentieth Century“ edited by Efronsov: ”Not only in poetry, But also became an ethical banner of her own time.Her accepted and shared the fate of the Russian tragedy, she did not compromise with the ’Black Iron Age’ and did not bow to moral oppression. “And she was hailed by her as Acker Manjesh Tham, the poet of the Mayfair ”First Violinist,“ linked the poet’s creation to Russian nineteenth-century psycho-fiction: ”Akhmatova brings to the Russian lyric poetry Russian