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今年和去年都去伦敦的Frieze艺术博览会看过,两届比较之下还是有些印象的。上一届有很多规则、清丽、几何的作品,且以绘画为主;今年则不一样,大面积的绘画是冲击力强、无规则、肆意张扬的作品多,可以看出力量型绘画越来越被关注和推出,由此也联想到国内这几年博览会、市场推崇的那些清新靓丽的作品。也许它们背后都透露出不同文化与经济背景下的行为模式,也与人们被训练的视觉惯性有关。但不容忽视的是一个对艺术理解的层次的差异,后者在很大程度影响了艺术的创作和行为。在博览会
This year and last year went to London’s Frieze Art Fair seen, two comparison is still some impression. The last time there were many rules, elegant, geometric work, and the main painting; this year is not the same, a large area of painting is strong impact, no rules, wantonly publicize more works, you can see more and more power-type painting The more attention and launch, which are also reminiscent of these domestic fairs in recent years, the market respected those fresh and beautiful works. Perhaps behind them both reveal behavioral patterns in different cultural and economic contexts and also relate to the visual inertia that people are trained in. But it can not be ignored is a level of artistic understanding of the differences, the latter has a great impact on the creation and behavior of art. At the fair