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事实就是如此,有时我们不能哀悼音乐它不过是很多静止的声音人们那低沉的私语也没有打扰哪怕是最慵倦的耳朵。——W.史蒂文森1997年以来,陈亮洁便蜗居于成都东御街那座16平方的画室中,孜孜不倦地反复描画着一对对耳鬓厮磨、窃窃私语的男男女女。对普通人来说,私语是在无孔不入的传媒与曝光中重建一种心理上的安适感,是在监视器、望远镜与镁光灯的时代里对私人空间的渴求。然而,陈
In fact, sometimes, we can not mourn music, but it is just a lot of static voices that people do not disturb even the most lethargy ears. --W. Stevenson Since 1997, Chen Liangjie dwells in the 16-square-meter studio in Chengdu’s Dongyu Street, tirelessly portraying a pair of men and women who whisper to each other and whisper. For ordinary people, whispers are to rebuild a sense of psychological comfort in the pervasive media and exposure of the private space in the era of monitors, binoculars and spotlights. However, Chen