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本文从美学范畴、一系列的喜剧性变幻事件以及喜剧艺术手法上,揭示出《围城》中萌动于字里行间的新的喜剧品格。
From aesthetics category, a series of comic change events and comedy art techniques, this article reveals the new comedy character that sprung up between lines in the “siege”.