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[法]吉诺·弗朗西斯卡蒂1.换弓的技巧是因人而异的。拉弓根时,在pp的情况下,稍稍用一点手指动作,如果用手腕就一定会听出换弓痕迹。在ff的情况下,换弓就要用整个手,手指要有弹性,并使用四分之三的弓毛。2.在弓尖换弓,不管是pp还是ff,我认为根本没有必要使用手指动作。同时,肘部要有特别放松的感觉。换弦时,腕和肘应保持在同一平面上。当我们在弓根换弓时,应当感到弓是手臂和部分手腕的继续,就像小提琴是另一个手臂的继续一样。如同射击那样,枪应当是你手臂的一部分。当手臂与弓相互矛盾时,就会感到很笨重。
[France] Ginuo Francesca Di 1. The skills for changing bow varies from person to person. Parallax, in the case of pp, with a little finger action, if the wrist will certainly be aware of changing bow marks. In the case of ff, the entire hand is changed for the bow, the fingers should be flexible, and three-quarters of the bow hair should be used. 2. bow bow, whether it is pp or ff, I think there is no need to use finger movements. At the same time, elbows have a special feeling of relaxation. Change the string, wrist and elbow should be kept in the same plane. When we change the bow in the arch, we should feel that the bow is the continuation of the arm and part of the wrist, just as the violin is the continuation of the other arm. As with shooting, a gun should be part of your arm. When the arms and the bow conflict with each other, they feel clumsy.