论文部分内容阅读
近日来,偶然翻阅六十年代以来的关于戏曲现代戏的论著。往事悠悠,思绪万千,引起我对1964年京剧现代戏会演的许多回忆。转眼间二十八年过去了,昔日那场激烈的论争,音犹在耳,其情其景历历在目,而在这次会演舞台上积极活动的党和国家领导人与文艺界人士,不少都已飘然作古。每忆及此,不觉怆然泪下!特别是唐山市京剧团在这次会演中演出的《节振国》,那种慷慨激昂,动人心弦的唱腔,依然余音绕梁,“留下千年不能磨灭的印象”,而在该剧扮演角色的
In recent days, I have read the treatises on the modern drama of opera since the 1960s. Long past, thoughts, caused me to 1964 Peking Opera modern drama will play many memories. Twenty-eight years passed in an instant. In the fierce argument of the past, the sound still remained in the ears. The history of the scene was vividly apparent. However, the party and state leaders and literary and art circles who are active in this concert are not Few have been floating in the air. Every recalled this, unknowingly shed tears! Especially the Tangshan City Peking Opera Troupe in the performance of the “Festival Vibration”, kind of impassioned, touching singing, still reverberations around, “leaving the impression that the Millennium can not be obliterated” , While playing a role in the play