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五月二十八日,著名电影演员许还山初次执导的影片《盲流》在京试映,《电影艺术》编辑部邀请了在北京的部份电影评论界人士进行了座谈,摘要如下: 王人殷:很不巧,许还山同志被中央电视台请去录制节目,不能来参加今天的座谈会,我们准备把大家的意见录音后传达给他,下面请大家毫无拘束地发言。 徐如中:我对演员担任导演一向不赞成。看了许还山的影片,我觉得起点比杨在葆高了一点,较为真实地反映了西北的盲流生活。但总的感觉是影片比较平,不怎么抓人,而且破绽漏洞也较多,特别是结尾,未婚妻的事还未作交代,男主角就匆匆拆墙与“妹妹”结合了,显得草率。清真寺那场戏也比较别扭,意向不够明确。
On May 28, the film “Blind Flow”, first directed by famous film actor Hushan Shan, was tried and tested in Beijing. The editorial department of “Movie Art” invited some film critics in Beijing to hold a discussion. The abstract is as follows: Wang Yin: Very not Qiao, Comrade Xu Hushan, please go to the CCTV to record the program, can not come to today’s forum, we are ready to record everyone’s opinions after the transmission to him, below, please speak without any binding. Xu Ruzhong: I act as the director has always been disapproved. Watching Hushan film, I think the starting point is a little higher than Yang in Bao, a more real reflection of the blind life in the northwest. But the general feeling is that the film is relatively flat, not very arresting, but also flaws loopholes, especially at the end, the fiancee has not yet made an account of the actor hurriedly split the wall with the “sister”, appears sloppy. The mosque that scene is more awkward, the intention is not clear enough.