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民国初年的新剧本体批评较为薄弱,很多剧评文章倾向于质疑和批判,而缺乏建设性的理论总结。沈冰血于1919年在《先施乐园日报》中发表的连载文章《卸装漫笔》,以日记体的形式回顾了民国六年初的演剧经历,并将演剧心得进行理论升华,对新剧的编排、临场前的准备、新剧舞台表演艺术等方面进行了有益的理论探索,力图打破时人对新剧无绳墨的批判,在新剧的理论建设方面起到了积极的作用。对于中国早期话剧批评而言,它不失为一份重要的研究资料,值得研究者深入挖掘。
In the early Republican period, the criticism of new plays was weak. Many dramatic articles tended to be questioned and criticized, but lack of constructive theoretical conclusion. In 1919, Shen Bing-sheng published a series of articles titled “Uninstalling and Overhand Writing” published in the “First Xer Paradise Daily”, reviewing the drama experience in the early six years of the Republic of China in the form of diary body and theoretical exposition of drama experience, Arrangement, on-the-spot preparation, theatrical performance of new drama and other aspects of a useful theoretical exploration, trying to break the criticism of the new drama non-touch ink, plays an active role in the theoretical construction of new drama. For the early Chinese drama criticism, it is an important research material, it is worth investigating in-depth mining.