论文部分内容阅读
在历史发展的长河中,随着中国篆、隶、草、行、楷五体书法的演变,诞生了不同时期的璀璨文明、艺术现象和书法珍品。魏晋以来,书法开始进入艺术品范畴,书写也更加讲究,“二王”一脉的传统书法特征成为中国书法发展的主流,其作品也被奉为“经典法书”供后世临摹学习。经历了唐、宋、元等时期的“复古”浪潮后,清末民初的书坛有力地冲击了“二王”“帖学”一派,提出了一系列质疑;时至今日,“经典”和“现代”依旧是人们学书思考的问题。
In the long history of development, with the evolution of Chinese calligraphy, scribbling, scribbling, sutra, and scripture five styles of calligraphy, bright civilizations, artistic phenomena and calligraphy treasures of different periods were born. Since the Wei and Jin Dynasties, calligraphy began to enter the field of art and writing was more stressful. The traditional calligraphic characteristics of the “Two Kings” became the mainstream of Chinese calligraphy and its works were also regarded as “Classic Laws” for later generations Copy learning. After experiencing the tide of “Retro ” in the Tang, Song and Yuan dynasties, the calligraphers in the late Qing Dynasty and the early Republican era strongly attacked a group of “two kings” and “postscripts ” and put forward a series of questions. Today, “classic ” and “modern ” is still a problem people learn to think about.