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国人创作或欣赏艺术作品,历来都是重意过于形,内涵当先,意境取首,境界如果到了,形式感就显得不是那么重要了,只取精要即可。好的艺术作品以形为灵魂的载体,追求的是神韵的激荡飞扬,所以我们经常可以看到国画大师的寥寥数笔,就能点睛入骨,得大巧若拙的神妙。盆景艺术本是中华艺术一脉,艺理自然也是相通的,优秀的盆景作品必然注重气韵的塑造。我们常常说一件作品显得大气,正是因为从作品的树相中感受到了其中所浸润的或静穆、或磅礴的神韵。
People writing or appreciating works of art has always been the emphasis on over-shaped, connotation of the first, the mood to take the first, if the realm, the sense of formalism is not so important, just fine can be. Good works of art to form the carrier of the soul, the pursuit of the charm of the turbulent flying, so we can often see a few brushstrokes of Chinese painting master, you can eye contact with the bizarre magic. Bonsai art is the art of the Chinese arteries, art is naturally connected, excellent bonsai works inevitably focus on the shape of the charm. We often say that a piece of work appears to be in the air precisely because of the infiltration or silence, or majesty, of the charm of the work.