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继沈阳市话剧团的《搭错车》获得演出千场的成功之后,锦州市歌舞团最近推出了《海上,那一片烛光》。这两出戏同由王延松执导,又同属于歌舞故事剧,它们作为姊妹篇相继出现于剧坛,不能不引起人们的关注。如果说《搭错车》开了中国“歌舞故事剧”的先河,那么它同时也为人们提出一个问题,即作为戏剧艺术的一种新样式的“歌舞故事剧”应该沿着什么道路走下去。作为《搭错车》的姊妹篇,《海》剧责无旁贷地要回答这一问题,并且以自己的艺术个性确立自己的艺术价值。我们高兴地看到,《海》剧较好地完成了这一任务。
Following the success of a thousand performances performed by Shenyang Repertory Theater Co., Ltd., Jinzhou Song and Dance Ensemble recently launched “The Sea, That Candlelight.” Directed by Wang Yansong, these two plays are both belong to the song and dance storytelling, they appear as sisters one after another in the theater, can not but cause for people’s attention. If “Take the wrong car” opened the precedent of China’s “song and dance story”, then it also raised the question for people: As a new style of drama, the “singing and dancing story” should go down the road. As a companion piece to “take the wrong car,” Hai is absolutely responsible for answering this question and establishing her own artistic value with her artistic personality. We are pleased to see that the “Hai” drama has accomplished this task well.