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传统中国水墨画出自于宫廷与文人画传统.从形神兼备的宋代山水.逐渐走向抒发内在情绪的笔墨表现。前者重视技术表现与心灵向度.后者则以主观的心灵诠释当下心中感怀。不只如此,艺术表现力与题材选择逐渐成为枝微末节,笔墨的游戏变成文人画的审美品位。当中国绘画到了明清逐渐失去专业表现能力.面临西风东渐之际.水墨画被近世纪欧洲建立起的“艺术”(Art)概念淹没.文人抒怀的主观意志受到忽视。不论中国水墨画处境如何.水墨画在传统中国文明发展中依然以高度知性受到推崇。
Traditional Chinese ink and wash paintings originated from the traditions of court and literati painting, from landscapes and landscapes of the Song Dynasty, gradually moving toward expressing the expression of inner emotions. The former attaches great importance to technical performance and spiritual orientation, while the latter interprets the present feelings in the mind with a subjective mind. Not only that, artistic expression and theme selection gradually become the last word, the pen and ink into the aesthetic taste of literati painting. When the Chinese painting came to the Ming and Qing dynasties, it gradually lost its professional expression ability.While facing the westerly eastward, the ink painting was overwhelmed by the concept of “Art” established in Europe in recent centuries.The subjective expression of the literati was neglected. Regardless of the situation of Chinese ink painting, the ink painting is still highly respected in the development of traditional Chinese civilization.