论文部分内容阅读
一、饱受批驳的现代音乐如同美术、文学领域一样,20世纪的音乐领域也呈现出多元并立,新思维迭出的景观。从世纪初的表现主义、新古典主义、新民族主义,到50年代后的整体序列音乐、偶然音乐、简约派音乐、电子音乐等。这众多主义与流派,要么回避传统调性和声技法,探寻无调性、泛调性写作;要么抛弃传统音响材料,引入电子或自然音响;要么打破规则节拍,消解动人旋律;要么颠覆传统乐音组织方式,以数学化手法结构作
First, the highly contemptuous modern music Like art and literature, the field of music in the 20th century has also shown the landscape of pluralism and new thinking. From the beginning of the century, expressionism, neoclassicalism and neo-nationalism to the overall sequence music after the fifties, occasional music, minimalist music and electronic music. These many schools of thought and genres either evade the traditional tonal and vocal techniques to explore atonal, pan-tone writing; either abandon traditional acoustic materials or introduce electronic or natural sound; or break regular beats and dissolve moving melodies; or subvert traditional musical tones Organizational approach to mathematical structure of the structure