论文部分内容阅读
从明代嘉靖壬午年(1522)《三国志演义》的刊刻问世,至清代毛宗岗评本的改正定型,这部小说中的论赞诗文在其间经历过两次大的改换过程。第一次是署名周静轩的诗歌和书坊主撰写的评论性语段在“志传系统”本中大量涌入,第二次是毛宗岗对旧本所有论赞诗文的删汰和改换。由于论赞诗文在小说文本中所承担的评价历史和教育读者的功能,这两次改换都与小说传播者在思想观念上的变化或调整相关,反映了不同主体的参与过程和他们对小说意义的不同定位。周静轩诗歌和书坊主评论的涌入,可被看成是“志传系统本”《三国志演义》对多层次接受者之思想观念的兼收并蓄,是其阐释空间被一次次扩充化的过程;而毛宗岗对既有论赞诗文的删减改换则体现的是儒家正统观念对既有观点的一种“规范化”的调整。
From the publication of the publication of The Romance of the Three Kingdoms in the Jiaqing King of the Ming Dynasty (1522) to the revision of Mao Zonggang’s criticism in the Qing Dynasty, the poems of praise in this novel have undergone two major changes in the process. For the first time, the commentaries written by Zhou Jingxuan’s poems and book-writing writers have influxed a lot in Zhushi System, and the second time, Mao Zonggang deleted and changed all the poems of praise and praise of old books. Both of these changes are related to the change or adjustment of ideological concepts of novel communicators because of their evaluation history and the function of educating readers in the texts of the novels, reflecting the participation process of different subjects and their influence on novel Meaning of the different positioning. The influx of the main comments by Zhou Jingxuan’s poetry and books and magazines can be regarded as the eclectic expansion of the interpretation space of the “Three Generations of the Three Kingdoms” However, Mao Zonggang’s deletion and change of expository poems reflected the orthodoxy of Confucianism as a kind of “standardization ” of the existing views.