论文部分内容阅读
《地方戏艺术》1988年一期发表刘景亮《戏曲艺术要确立自己的主要交流对象》。文中说,谁是戏曲的主要交流对象?是农民、市民、工人这些普通观众。主要交流对象确定之后,接下来就有一个真正地尊重主要交流对象、研究主要交流对象,艺术创作与主要交流对象的审美心理取得对应的问题。要想准确地把握戏曲的主要交流对象的审美需求,首先需要走进剧场。研究主要交流对象的审美心理是十分必要的。此外,还需要深入到戏曲的主要交流对象农民、工人中
“Local opera art” published in 1988 a Liu Jingliang “opera art to establish their own main exchange object.” The article said, who is the main object of the opera? Farmers, citizens, workers, these ordinary audience. After the main communicators are identified, there is then a question of truly respecting the main communicators, studying the main communicators, and the aesthetic psychology of the artistic creations and main communicators. To accurately grasp the aesthetic needs of the main objects of the opera, we must first walk into the theater. It is very necessary to study the aesthetic psychology of the main exchange objects. In addition, we also need to go deep into the main objects of the opera, peasants and workers