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回顾过去的百年历程,任何对中国学术文化思潮发展之轨迹有所了解的人,都不能不惊叹其天翻地覆般的巨大变化。就古典文学研究领域而言,一个显而易见的基本事实是,随着研究对象的重新定位、学术领域的不断开拓、治学方法的更替创新,特别是由于一些学贯中西、淹博古今的国学大师及其经典性的学术著作的出现,使得20世纪的古典文学研究,无论从深度或广度上看,都大大超越了以往千百年的成就,而达到前所未有的水平。已有学者指出,中国古代戏曲的发展虽然源远流长,但是戏曲史作为一门学科的建立,却是始于王国维的《宋元戏曲考》的问世;中国古代小说的发展虽然历史悠久,但是小说史作为一门学科的建立,却是始于鲁迅的《中国小说史略》的出版;中国古代
Recalling the past hundred years of history, anyone who knows something about the trajectory of the development of Chinese academic and cultural trends can not but marve at the tremendous changes that have been overturned. As far as classical literature research is concerned, one obvious basic fact is that with the reorientation of research subjects, the continuous opening up of academic fields and the substitution and innovation of methods of study, especially since some masters of Chinese studies who learned both Chinese and western cultures, The emergence of its classic academic writings makes the study of classical literature in the 20th century, both in terms of depth and breadth, far beyond the achievements of the past thousands of years and reaching an unprecedented level. Some scholars pointed out that although the development of ancient Chinese opera has a long history, the history of opera as a subject has been the birth of “Song and Yuan Dynasty Opera” which began with Wang Guowei. Although the development of ancient Chinese novels has a long history, novels History, as a discipline, was published in Lu Xun’s A Short History of Chinese Fiction. In ancient China