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2016年,某网站搞了个“年度影响力”作家排行榜评选,结果一名“鸡汤”写手的得票数,超过了成就斐然的作家莫言、余华、麦家、刘慈欣四人得票数的总和,引起不少网民热议。如果说如此事情寓意着中国文学出现了某些异化情况的话,那么,笔者认为,中国的歌唱艺术界也有类似的误区,甚至可以夸张一点地说,出现了“返祖”现象。该现象至少有以下几大表征。第一,淡化专业。人类的音乐活动,由集体的随意“杭育”之类,到个体的偶发《候人》之属,再到出现专业
In 2016, a web site made a selection of “authors of the year” and ranked the winner of “Chicken Soup” more than the successful writers Mo Yan, Yu Hua, Mai Jia and Liu Cixin The sum of the votes, causing a lot of netizens hot. If such a matter implies that some alienation has occurred in Chinese literature, then I believe there is a similar misunderstanding in China’s singing art circles, and even an exaggeration to say that there is a phenomenon of “returning to ancestors.” This phenomenon has at least the following major characteristics. First, dilute the professional. Human music activities, from the collective casual “Hang Yu ” and the like, to the incidental “waiting people” belong to the individual, then to the emergence of professional