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在江姐、刘胡兰、王杰、雷锋等一个个耳熟能详的人物从电视片《永远的丰碑》中再度向人们走来时,观众仿佛在与久违的老朋友见面,亲切而令人难忘。笔者参与该片的创作,体会尤为深刻。一、电视化、艺术化、形象化的“丰碑”《永远的丰碑》作为政治思想教育的专题片,编导者没有进行简单的图解和空洞的说教,而是运用电视化、艺术化、形象化的手段,通过视觉化的艺术形象来表现丰富的思想内涵,使观众看后受到启迪与教育。该片把画
When people familiar with Jiang Jie, Liu Hulan, Wang Jie and Lei Feng once again came to people from the “monument of eternity” in the television series, the audience seemed to meet with long-lost old friends and be cordial and unforgettable. The author involved in the creation of the film, experience is particularly profound. A television, art, visualization “monument ” “monument of eternity” as a feature film of political and ideological education, director without a simple illustration and empty preaching, but the use of television, art, Visual means to express the rich ideological content through the visual artistic image so that the audience can be enlightened and educated. The piece draws